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Richard Bissill

Richard Bissill

Richard was a member of the Leicestershire Schools Symphony Orchestra, the BBC Radio Leicester Big Band and the National Youth Jazz Orchestra. He studied horn and piano at the Royal Academy of Music before joining the London Symphony Orchestra aged 22. He was Principal Horn of the London Philharmonic Orchestra from 1984-2009 and is now Principal Horn of the Orchestra of the Royal Opera House, Covent Garden. He has taught at London’s Guildhall School of Music and Drama since 1983. He was made a Fellow of the Royal Academy of Music in 2005.

As a freelance session player he has worked with the likes of Paul McCartney, Elton John, Robbie Williams, Joni Mitchell and Quincy Jones, and can be heard playing on numerous film soundtracks including Return of the Jedi, Chicken Run, Gladiator, The Mummy, Shrek, Harry Potter and Lord of the Rings.

He has performed Britten’s Serenade and Mozart’s 4th Horn Concerto with the London Philharmonic Orchestra at the Royal Festival Hall, and the concertos of Haydn, Telemann, Mozart and Strauss at the Queen Elizabeth Hall and the Barbican.

Solo recordings include

  • Bach’s Brandenburg Concertos 1 and 2 with the Consort of London for Collins Classics
          Brandenburg Second Concerto
  • Frank Martin’s Concerto for Seven Wind Instruments for Chandos
  • Balfe’s cantata Sempre Pensoso e Torbido for Opera Rara
          Sempre pensoso


Grand Opening, Rhapsody for Piano and Orchestra

The London Philharmonic Orchestra commissioned Grand Opening (1990) a concert waltz, and Rhapsody for Piano and Orchestra (2003) which was premiered in the Royal Festival Hall with the dedicatee soloist Philip Fowke.

Richard Bissill’s Rhapsody For Piano And Orchestra was a delight. But this was not pastiche – but a fond remembrance – a splendid evocation of a style and of an era of British (film) music to be treasured. Technically a brilliantly accomplished piece of work.
David Wishart (recording producer)

Philharmonic Fanfare (2002)

A 75th Birthday Fanfare (2007) for 4 antiphonal brass octets

The entire evening’s celebrations had been introduced by a buoyant brass fanfare written for the occasion by the LPO’s principal horn, Richard Bissill. A golden arc of brass was arrayed on stage, in two octet groups. And, as though in stereo, they played with their patternings of alarums and swooping melodies, all based on a jazz-waltz rhythm arising from the sound of the words “seventy-five”.
Hilary Finch (The Times)

Excite! (2008)

An hour-long, multi-dimensional celebratory work for London, co-written with Eugene Skeef.

Sinfonia Concertante (2004)

Commissioned by the LSO to open its centenary season and premiered at the Barbican under Sir Colin Davis.

Fast, slow, fast it went; perky pitched percussion spangled the orchestration; horn and trumpet counterpointed lugubriously in the central soft-focus rhapsody; and the finale fizzed with tricksy ideas and jazzy rhythms.
Hilary Finch (The Times)

Chamber and Solo

Three Portraits (1989) for 8 horns

A British Horn Society commission,
recorded by Guildhall Horns.

Timeslip (1990)

For 16 woodwind, commissioned by the Ulster Youth Orchestra.

Gabriel’s Vision (2005)

For 6 harps and horn commissioned by the Royal Academy of Music.

Triangulation for 8 bassoons

Commissioned by the Royal Academy of Music.

Time & Space (2001) for 2 horns and piano

time and space
Commissioned by the British Horn Society
and recorded by Guildhall Horn Soloists.

Corpendium Ι for 6 horns

Lone Call & Charge (1994)

For solo horn commissioned by Philip Jones for the Charles Leggett Award.

Twisted Elegy (2007)

For harp, flute and viola, commissioned by the Royal Academy of Music.

Valse Noire (2007)

For horn & piano written for Nigel Black and Vladimir Ashkenazy.

Nunc Est Bibendum (2006) for solo horn

Rite of Spring Rag (1985) horn quartet

Los Jaraneros (2007) horn big band and rhythm section

Fat Belly Blues (2007) 6 horns and rhythm section


Horn Quartz (2003)

Horn quartets for beginners (Brass Wind Publications).

Absolutely Horn and Horn Talk (2003)

Solos from the orchestral repertoire
with piano accompaniment
(Brass Wind Publications).

O Solo Mio (1996)

Horn solos with piano accompaniment (Brass Wind Publications).

Going Solo (1993)

First pieces for horn (Faber Music).

The Good Brass Guide for Horn (2000)

In 2 volumes (Guildhall Publications).

Hector Unravelled (2002)

For Bassoon & Piano (Faber Music).

He first came to prominence as an arranger in 1986 when he won the first-ever Peter Knight Award, sponsored by the Musicians’ Union and Yorkshire TV. His winning work was Christmas Carnival, commissioned by the London Philharmonic Orchestra. This has become a festive favourite and has received countless performances around the world. It was recorded in 2004 by the Royal Philharmonic Orchestra.

Best by a mile was Christmas Carnival, by Richard Bissill – full of syncopated buzz, ingeniously enjambed carols, stunning orchestration, and terrifically played. A palpable hit.

Roderick Dunnett (The Independent)

The award led to a string of commissions from the BBC Concert Orchestra including East Angliana, recorded and premiered at the Norfolk & Norwich Festival. These arrangements established Richard as an arranger of great understanding and imagination.

Gershwin SelectionHis membership of London Brass has resulted in a set of dazzling arrangements written especially for the ten-man group: Muss i’ denn, A Foggy Foggy May, The Way You Look Tonight, Smoke Gets In Your Eyes, Hungarian Rhapsody No. 2, Granada, Caravan, Spain, Norwegian Wood, De Hamborger Viermeister and Jealousy (All published by BrassWind Publications).

Most have been recorded for either Teldec or the group’s own label LB Records. The music can be acquired from BrassWind Publications.

London Horn SoundGive It OneHis arrangement of Caravan was one of 5 he produced for the now classic London Horn Sound CD, voted best French Horn CD ever by the International Horn Society. This was followed by the groundbreaking horn big band CD Give It One on which he played and contributed 5 arrangements and compositions.

He conducted the London Promenade Orchestra for the Readers’ Digest recordings of his arrangements of Anything Goes, Guys & Dolls, So In Love, If He walked into my Life and I’m still Here.

He has also produced a series of arrangements for Carl Davis, and for artists as diverse as Gilbert Becaud, Youssou Ndour and Nick Lowe.

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